Monet’s Japanese Footbridge Series
Monet’s bridge series (with or without water lilies) is far more than a series of Impressionist paintings on the same theme. It’s a story of an idea, an obsessive study, an experiment, and, let’s face it, paintings worth several or several tens of millions of dollars. Each! To understand why this series is so renowned, we should first learn more about the artist himself.
Who was Claude Monet?
Oscar-Claude Monet (1840-1926) was a French painter and a leading figure of the Impressionist movement. In fact, the very same artistic style got its name after Monet’s painting titled “Impression, Sunrise,” from the first Impressionist exhibition in 1874. It was an alternative to the well-known annual event in the Salon, which had strict rules that made it hard for painters to try new things.
Though the Impressionists were ridiculed by the critics, their exhibition garnered significantly more attention than that of the Salon. This set the stage for a new approach to art, which Monet continued to develop throughout his career.




Impressionism
The main idea of Impressionism is to present the artist’s experience of nature, not a realistic reproduction. Impressionists (Monet included) mostly painted scenes from nature, with water and air (!) being their favorite subjects. Instead of the object, they preferred to paint the light. They experimented a lot with dividing shapes into dots or brushstrokes, trying to capture a moment, not ‘the absolute truth.’ Such an approach led to the emergence of numerous new styles, including Neo-Impressionism, Divisionism, and Naturalism.


Monet and Impressionism
Monet’s work was very methodical. He not only believed that the image of the painted subject changes from moment to moment, but he also proved that by painting the same object in various conditions. He created several series of paintings presenting the same scene, differing only by weather, time of day, or season of the year. His most popular paintings are about water lilies. Bridges were probably his second favorite subject. The connection is obvious: water with its elusive translucent image, and without a specified shape or color.




Giverny
Giverny is a village in Normandy (Monet was born and raised in Le Havre, Normandy), lying on the Seine, about 80 km northwest of Paris. Monet spotted the village while he was traveling by train. When his finances allowed, he rented a house to paint the landscape. Later, he bought a property and started planning gardens to paint. At the heart of these plans was a Japanese footbridge and a pond with water lilies.


The optimal times to visit Giverny and appreciate Monet’s garden are in late spring and early autumn. Of course, in spring you shall expect more green, and in autumn more red colors.




Japanese Footbridge
What is so special about Japanese footbridges? First, every footbridge is primarily designed for pedestrians. There may be exceptions for people who ride bicycles or horses, sometimes even with basic carts, but never for people who drive cars or other motorized vehicles. Japanese footbridges are distinguished from the majority of other bridges by their emphasis on the symbolic significance of transition. In the Japanese language, words for “edge” and “bridge” are different but sound the same: hashi. The idea of transitioning is often put even before the functionality. Footbridges in Japan are distinguished by their integration with nature, as they are built from natural materials that are also employed for decorative purposes. Wood and stone are typical choices. Japanese bridges are typically shaped in arches or zigzags.


Monet’s Japanese Bridge
As we can see, the bridge in his paintings is highly arched. The arch makes the path longer and offers the pedestrian an additional moment to enjoy the view. Arched Japanese bridges are called sorihashi. The shape is the same as the rainbow, which in Japan symbolizes hope, cooperation, good luck, and diversity. The rainbow’s reflection on the water creates a circle or ellipse, both of which symbolize the perpetual cycles of nature.




The Zen
It’s easy to imagine Monet painting these footbridges, being in the moment, knowingly or unknowingly following the basic Zen principles of being ‘here and now,’ and achieving inner peace through simplicity and nature. The idea of ‘here and now’ is especially important for the artist focusing on their work. Just like the Japanese footbridge favors the path before the goal, Zen teaches to focus on the process, not the result.


Some of these paintings may look surprisingly confused, and it’s hard to imagine they hang in prestigious places like the MoMA, the National Gallery of Art, the Van Gogh Museum, and other museums of big cities. But like it or not, we have to admit each one of them achieved the basic goal of Impressionism (enjoying the moment) while following the path of Zen (the journey before the goal). All presented images were created between 1899 and 1926. Due to their author’s death, they are in the public domain. Share them with your dear ones.



























